Ana Ruth Bermúdez 

“Bermudez is an exceptional talent…her intelligent, warm and humorous personality emanates from the stage, and makes every piece of music she performs more meaningful and alive”

Yehuda Yannay

Aqui Milwaukee Magazine, USA

Izquierdo's big sound and command made his guitar a worthy partner to Bermudez's cello in songs by Manuel de Falla. Falla, …Bermudez gave them full voice and phrased generously.

Tom Strini

Milwaukee Journal Sentinel (USA)

"Bermúdez vibrates from all musical angles.  As a conductor, as a performer, as a pedagogue; indeed, she knows that she was born to develop her natural potential, and she traces all the musical cardinal points moving with the tenacity of a high-flying bird…"

Ligia Parra Pérez

La Nacion, Venezuela

"The concert by the Orchestra Simón Bolívar conducted by Ana Ruth Bermúdez was simply spectacular…She took flight not only with the baton but also with her entire body, capable of transmitting the feeling of the score and of the composer, who was brought back to life throughout the course of this performance."

Ligia Parra Pérez

La nación, Venezuela

"Ana Ruth Bermúdez, a brilliant cello soloist, was acclaimed for the virtuoso technique she displayed in her performance of Haydn’s C Major Concerto…In the hands of this young artist, the cello seemed like a small violin overflowing with different sonorities; it was a clean and graceful performance.                     

Alfredo Fermin

El Carabobeno, Venezuela

"As a conductor of the Orquesta de Cámara de La Habana, Ana Ruth Bermúdez’s masterful interpretation of Austrian music was the delight of the attending public.

Heide Keller

Cuba.

"Ana Ruth has proven to be one of those young musicians who show an amazing maturity… When her hands fly above the cello they leave no room for youthful vacillation; rather, they convey an accurate sense of what they are doing, a studied execution that produces the most ravishing delight."                      

Luis A. Gonzalez

Gramma, Cuba

"It was a true apotheosis of expression; Ana Ruth demonstrated her capacity to make even an open string to sing, clearly tracing the most daring leaps and giving coherence and unity to the musical discourse, contained and paced at first, even when energetic, later cantabile, serene, and finally expansive. "          

Jorge Fiallo

Revista Revolución y Cultura, Cuba